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While he has the capacity for uttering lines that sound like he’s been rehearsing for a candlelit date, he has a reputation for authenticity.
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Williams’s demure explanation was that “it’s about being in love and I wanted to know what that was like”. When he recently created his own furniture line – in a project with French art dealer Emmanuel Perrotin – it included a chair with four legs configured to suggest a man and woman having sex. He has named his second album G I R L because he considers it a “love letter” to the women who have influenced his life. We’re too busy telling them what they can or can’t do with their bodies.” “Historically this world has been run by a man, and what would a world be like if 75 per cent of world leaders and prime ministers were female? We do not know because we haven’t given it a shot. If this answer was less than convincing, Williams was smart enough to set out his progressive views on America’s need for a female president. His tears on Oprah were his response to being shown a clip of home-made videos of fans from all parts of the world dancing and lip-synching to his song “Happy”, the biggest pop anthem of 2014. His open and sunny disposition, reflected in his music, allows him to cross cultures and borders. Yet he could easily be a child of Rio or Paris or Johannesburg. After a year of one hit record after another, he has been anointed as American showbiz royalty. He is the music producer who enjoys sculpture and astronomy, the rapper who isn’t ashamed to shed his tears on Oprah Winfrey’s show. Not for him the baggy jeans and oversize sports jersey uniform of the street – his style is personal, recently characterised by a bucket of a Vivienne Westwood hat and some sparkling sneakers that are his concession to bling. He is slightly built and always ready to express humility his message has been that it’s all right to be different.
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“He was the person who made it cool to just be you,” she said of the musician who has emerged from the macho and unforgiving world of hip-hop to charm the world. The man in that hat is as cool as you like, his voice above a whisper but not much more, holding forth on the trouble with success, the absurdity of hit-making and why people don’t feel anymore. It was Beyoncé who really nailed the appeal of Pharrell Williams.